I like the small stories of our lives, the innumerable tiny stitches connecting miniature tableaus to create a tapestry that will one day bear witness to our joys, our sorrows, our lived love. An open bottle of wine breathes on a 1960’s vintage Formica counter top. It sets the tone for a sensual Sunday afternoon.
A small pan of lasagna bakes in the oven. Three of the four eyes on the stove work and so does the oven. A bonus. The temperature dials on the oven have all been worn off except for 200 and 250. I guesstimate where 375 might be, and hope for the best.
A well-worn handmade bar stool in the tiny square kitchen is the perfect repository for a bright yellow edition of the PARIS REVIEW.

I suddenly remember leaving a container of chocolate frozen yogurt on the kitchen counter, and run back into the cottage to put it in the freezer. Returning to the dock, my breath catches when I see the silhouetted dog, man and waiting chair, there in the gloaming at the edge of all things solid.
There is mystery in the way found objects assemble themselves. I see nature, romance, woman, man, dog, and a multitude of tiny luminous sparks in the remarkable dark night of life.







Something about this old place reminds me of a house in Bass Harbor, Maine where Buck and I have stayed several times over the years. It’s called “Captain’s Quarters.” A nice woman named Jeanne Fernald owns it, along with several other vacation cottages in the area. Bass Harbor is near Bar Harbor, but is known as the “quiet side” of Mt. Desert Island.
There’s something about a red door that draws me. This strange little storage building is made of concrete block, with a homemade coin effect at the corners. It has a flat tin roof, and this lovely, odd faded red door. The hut snugs up against the glassed-in porch at the back of the house.













